Mayco Stroke & Coat SC-09 Jaded
Cone 06: Jaded is a heavily pigmented, viscous Stroke & Coat® glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6: Transparent. Slightly streaky. Color slightly lightens.
Foundations:
Stroke & Coat® is the industry’s most versatile glaze. It can be applied on wet clay, earthenware bisque, or stoneware bisque, fired from cone 06 to cone 10, in oxidation or reduction, and used in every decorative way imaginable.
Stroke & Coat® is a heavily pigmented, viscous glaze line that can be used for brush strokes or opaque coverage. Use these glazes to create intricate, detailed designs and butt up to one another without colors moving. When used in a majolica process, Stroke & Coat® will not move nor blend with the colors beneath. Stroke & Coat® colors are intermixable, allowing artists to create custom shades. Thin with water or media to create a “wash” or watercolor style of design. Because the liquid color is consistent with the fired color, artists will have no trouble visualizing finished results as they create.
Cone 06: Jaded is a heavily pigmented, viscous Stroke & Coat® glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6: Transparent. Slightly streaky. Color slightly lightens.
Foundations:
Stroke & Coat® is the industry’s most versatile glaze. It can be applied on wet clay, earthenware bisque, or stoneware bisque, fired from cone 06 to cone 10, in oxidation or reduction, and used in every decorative way imaginable.
Stroke & Coat® is a heavily pigmented, viscous glaze line that can be used for brush strokes or opaque coverage. Use these glazes to create intricate, detailed designs and butt up to one another without colors moving. When used in a majolica process, Stroke & Coat® will not move nor blend with the colors beneath. Stroke & Coat® colors are intermixable, allowing artists to create custom shades. Thin with water or media to create a “wash” or watercolor style of design. Because the liquid color is consistent with the fired color, artists will have no trouble visualizing finished results as they create.
Cone 06: Jaded is a heavily pigmented, viscous Stroke & Coat® glaze that can be used for brush strokes or opaque coverage. One coat will create a translucent finish with subsequent coats adding opacity. We suggest two to three coats for full opacity and all over coverage. Will fire to a gloss finish without clear glaze.
Cone 6: Transparent. Slightly streaky. Color slightly lightens.
Foundations:
Stroke & Coat® is the industry’s most versatile glaze. It can be applied on wet clay, earthenware bisque, or stoneware bisque, fired from cone 06 to cone 10, in oxidation or reduction, and used in every decorative way imaginable.
Stroke & Coat® is a heavily pigmented, viscous glaze line that can be used for brush strokes or opaque coverage. Use these glazes to create intricate, detailed designs and butt up to one another without colors moving. When used in a majolica process, Stroke & Coat® will not move nor blend with the colors beneath. Stroke & Coat® colors are intermixable, allowing artists to create custom shades. Thin with water or media to create a “wash” or watercolor style of design. Because the liquid color is consistent with the fired color, artists will have no trouble visualizing finished results as they create.
One coat of Mayco Stroke & Coat® will create a translucent finish with subsequent coats adding opacity. We suggest 2-3 coats for full opacity and all over coverage. Let dry between coats. Stroke & Coat® glazes will fire to a gloss finish without clear glaze. However, if desired, a clear glaze (such as NT-CLR Clear One Dipping Glaze or S-2101 Crystal Clear Brushing) can be added. For application on wet or leatherhard clay and firing to cone 04, colors will retain their vibrancy with huge time savings. We recommend leaving an area unglazed, such as the back or bottom of the unfired piece, to allow for out-gassing of the clay during the single-firing process. Limit glazes to 2 coats including design work.
